Saturday, August 7, 2010

Funemployment

A Retrospective Look at 4 Jobless Months 


I started this blog with a rant about Kelsey's, my workplace at the time. That feels like so long ago! In April I quit Kelsey's, then I went on a 3 week trip to Europe, enjoyed my last couple of weeks living in Hamilton by completing a "Hamilton bucket list", and moved back to Whitby, my hometown. Over the summer I have been living with my parents, working on distance courses through Athabasca University for my certificate program, soaking up the sun, and being unemployed.

Or am I? I like to think of it as being  "fun-employed!" I came across this concept when a friend posted this article on facebook: Unemployed? More like funemployed.

Urban Dictionary defines "funemployment" as: the state of being without a job, yet having lots of time to enjoy fun activities during otherwise normal working hours.

The question that now plagues me is: did I live up to my funemployed potential? Did I really explore the possibilities of this period of joblessness? I think I have a bit of a handicap because I have been schooling while unemployed, giving me less freedom than other jobless wonders, but I still have more free time than just about anyone else I know (over 18).  So, was the lack of income worth it?

The next few blog posts will serve to answer that question as I search for an end to my jobless state and dig deeper into school (all the while keeping my dream job in mind -captain sustainable planet- to keep me focused). The answer will either help me feel better about dipping (errr... gouging) into my savings for the past 4 months, or make my job search all the more frantic to refuel my ING direct account.

First post: Europe Trip 2010!

Tuesday, June 15, 2010

The Evils of Communication

For my environmental ethics course I read an article called “Sharing One Skin: Okanagan Community,” by Jeanette Armstrong. The whole article is worth checking out, as it details the Okanagan way of life, which sounds a lot nicer than mainstream society. One aspect really stuck with me. She says,

I see the thrust of technology into our daily lives, and I see the ways we subvert emotional ties to people by the use of communications that serve to depersonalize. I see how television, radio, telephone and now computer networks create ways to promote depersonalized communication. We can sit in our living rooms and be entertained by extreme violence and destruction and be detached from the suffering of the people. We can call on the phone or send e-mail to someone we may never speak to in person.
Through technology there is a constant deluge of people who surround us but with whom we have no real physical or personal link, so we feel nothing toward them. We can end up walking over a person starving or dying on the street and feeling nothing, except perhaps curiosity. We can see land being destroyed and polluted and not worry as long as it’s not on our doorstep. But when someone is linked to us personally, we make decisions differently. We try harder to assist because we care about them.


I don’t think it’s a stretch to relate this depersonalization to consumerism. Technology disconnects us from each other, and we are offered ways to fill this void through clever marketing. We see what we want, what we are missing: happy families, friends laughing, lovers loving. We are told that they are this way because of a product. We want the product, we buy the product, the product fails to deliver, we see more ads, we buy more products, we experience more disappointment, lather, rinse, repeat. Many of us work too hard and too long at jobs we don’t like. Why? So we have money to buy the things that are supposed to make us happy. If we enjoy our jobs, life will be that much more enjoyable, thus we’ll need less retail therapy, we won't have to work as much, and we'll have more time for what else makes us happy.

How do we break the cycle? Do what makes us happy! Truly happy!! When we can, ignore what doesn’t (ie: paying bills=necessary, jerks=unnecessary!). Resist false promises (skinniness doesn't=happiness, cosmo isn't the relationship bible). Whenever possible, take life less seriously, sit back, enjoy.
 

In a few of my communication studies classes at McMaster we discussed the effects of modern communications technologies on our interpersonal skills. Do new methods of communication that are meant to bring us closer together actually hinder our relationships?

Personally, I feel like my reliance on text messages, social networking, and IMs has seriously hindered my “real life” communication skills. I avoid using the phone whenever possible, watch far more TV and movies than I should, and often feel socially inept when I don't have the ability to sit back and think about my answer before carefully crafting a typed response.

I was worried that my social awkwardness would be an issue when I traveled to Europe in April, but I survived! I was constantly out in the “real world,” interacting with people and learning about different cultures. I didn’t have my cocoon of the internet’s impersonal communication and endless supply of night-in-worthy entertainment, and I loved it! If only my everyday life in the “real world” could be like that. I’m reluctant to give up Facebook and MSN because they make keeping in touch and making plans so gosh darn easy! Instead, I need to modify my use of these things to have a MUCH smaller role in my life. Taking distance courses makes drifting off into endless video streaming, online shopping (which right now is only dreaming...), and the magical world of Facebook all too natural. And completely destroys any hopes of productivity. My solution: changes of scenery. If I trek all the way to the library, I feel obligated to be productive, and if I set up my laptop and all my books on the porch in the backyard, I feel motivated. Hopefully being more focused on school will help to wean myself off wasting time online, and allow me to appreciate my spare time more!
 

Monday, March 8, 2010

Review: The Oscars

And the nominees for best picture are: http://www.collegehumor.com/article:1802286


Highlights:
  • Tyson thinking Jeff Bridges was Billy Ray Cyrus.
  • Musical number by NPH. I love him, I want him to be my best friend, and next year's Oscar host. Please Academy, pretty please!!
  • The hosts. They lived up to my expectations, which were very high.
  • Tribute to John Hughes.
  • Tribute to short films.
  • Queen Latifa. She looked amazing, as always.
  • Sandy Powell's dress. She proved that she deserves the award for best costume design.
  • Horror montage. 
  • Celebrating Morgan Freeman's voice, narrating the sound editing video.
  • As usual, a respectful and tear jerking memorial. James Taylor was a very nice touch this year, especially singing one of my favourite songs. They really know how to jerk my tears. However, where was Farah?
  • Dance representation of original score nominees. The Up robot was weird.... Did they know what the movie is about?
  • Being creative is not a waste of time!
  • The Cove, for making me burst into tears every time I think about it. 
  • First female to win best director. My fourth year theatre seminar thesis was about female directors, so I know this win was a long time coming.
  • 3.5 hours of solid entertainment. 12 of my predictions and 3 of my hopes panned out, and overall I'm pleased with the results. Academy, you may exhale.

Negatives:
  • George Clooney's attitude. What's wrong big guy?
  • Commercials cutting off some of the jokes. The award for terrible timing goes to... CTV!!
  • Kristen Stewart? Um, hi, this is kind of a big deal, take some buckleys, and calm down. I know it must be nerve wracking to be on that stage, but if you can't handle it, maybe you're in the wrong business.
  • Vera Farmiga's dress. I didn't watch the red carpet show, so I'm sure she wasn't the worst dressed, but she was the worst that I saw walk on stage. Sarah Jessica Parker was a close second with a weird dress and terrible hair, I expected a lot more.
  • Jimmy Kimmel live... with no one that won or was nominated for an award this year! ...huh?

Sunday, March 7, 2010

Thank you thank you! I want to thank the internet, itunes....

I turned on the Oscar pre-show at its last 10 minutes (I don't really care about who is wearing who...) and I found out that Miley Cyrus is one of Time Magazine's 100 most influential people (WTF? and she looks 37...) and Tyson mistook Jeff Bridges for Billy Ray Cyrus. What other wonders would I have experienced if I watched the whole thing?? Also, Meryl Streep is the most nominated actor ever, being nominated 16 times. Will she win tonight? I don't think so.

Anyway, my goal was to watch all 58 nominated films, but with limited resources and dwindling time I watched 36. I have high hopes for the Oscars this year, with Alec Baldwin and Steve Martin as the hosts, and about a million films nominated for best picture, so here's hoping the show celebrating the best films of the past year lives up to the caliber of the films themselves!
 

Here are my predictions, wishes, and the winners (in gold) as they are announced.
-Films I have not watched are in green.

Actor in a Leading Role

  • Jeff Bridges in “Crazy Heart”
  • George Clooney in “Up in the Air”
  • Colin Firth in “A Single Man”
  • Morgan Freeman in “Invictus” -My pick
  • Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

  • Matt Damon in “Invictus”
  • Woody Harrelson in “The Messenger” -My hope
  • Christopher Plummer in “The Last Station”
  • Stanley Tucci in “The Lovely Bones”
  • Christoph Waltz in “Inglourious Basterds” -My pick

Actress in a Leading Role

  • Sandra Bullock in “The Blind Side”
  • Helen Mirren in “The Last Station”
  • Carey Mulligan in “An Education”
  • Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire” -My pick, and hope
  • Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

  • Penélope Cruz in “Nine”
  • Vera Farmiga in “Up in the Air”
  • Maggie Gyllenhaal in “Crazy Heart”
  • Anna Kendrick in “Up in the Air”
  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire” -My pick, and hope

Animated Feature Film

  • “Coraline” Henry Selick
  • “Fantastic Mr. Fox” Wes Anderson
  • “The Princess and the Frog” John Musker and Ron Clements
  • “The Secret of Kells” Tomm Moore -My hope
  • “Up” Pete Docter -My pick

Art Direction

  • “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair -My pick
  • “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith -My hope
  • “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
  • “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
  • “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

  • “Avatar” Mauro Fiore -My pick
  • “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
  • “The Hurt Locker” Barry Ackroyd
  • “Inglourious Basterds” Robert Richardson
  • “The White Ribbon” Christian Berger -My hope

Costume Design

  • “Bright Star” Janet Patterson
  • “Coco before Chanel” Catherine Leterrier
  • “The Imaginarium of Doctor Parnassus” Monique Prudhomme
  • “Nine” Colleen Atwood
  • “The Young Victoria” Sandy Powell -My pick

Directing

  • “Avatar” James Cameron
  • “The Hurt Locker” Kathryn Bigelow -My hope
  • “Inglourious Basterds” Quentin Tarantino -My pick
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels 
  • “Up in the Air” Jason Reitman

Documentary (Feature)

  • “Burma VJ” Anders Østergaard and Lise Lense-Møller
  • “The Cove” Louie Psihoyos and Fisher Stevens -My pick
  • “Food, Inc.” Robert Kenner and Elise Pearlstein
  • “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
  • “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

  • “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
  • “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
  • “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
  • “Music by Prudence” Roger Ross Williams and Elinor Burkett
  • “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

  • “Avatar” Stephen Rivkin, John Refoua and James Cameron
  • “District 9” Julian Clarke 
  • “The Hurt Locker” Bob Murawski and Chris Innis
  • “Inglourious Basterds” Sally Menke -My pick
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

  • “Ajami” Israel
  • “The Milk of Sorrow (La Teta Asustada)” Peru
  • “A Prophet (Un Prophète)” France
  • “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
  • “The White Ribbon (Das Weisse Band)” Germany

Makeup

  • “Il Divo” Aldo Signoretti and Vittorio Sodano
  • “Star Trek” Barney Burman, Mindy Hall and Joel Harlow -My pick
  • “The Young Victoria” Jon Henry Gordon and Jenny Shircore 

Music (Original Score)

  • “Avatar” James Horner
  • “Fantastic Mr. Fox” Alexandre Desplat
  • “The Hurt Locker” Marco Beltrami and Buck Sanders
  • “Sherlock Holmes” Hans Zimmer
  • “Up” Michael Giacchino -My pick

Music (Original Song)

  • “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
  • “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
  • “Take It All” from “Nine” Music and Lyric by Maury Yeston
  • “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett -My pick

Best Picture

  • “Avatar” James Cameron and Jon Landau, Producers
  • “The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
  • “District 9” Peter Jackson and Carolynne Cunningham, Producers
  • “An Education” Finola Dwyer and Amanda Posey, Producers
  • “The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
  • “Inglourious Basterds” Lawrence Bender, Producer
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers -My pick
  • “A Serious Man” Joel Coen and Ethan Coen, Producers
  • “Up” Jonas Rivera, Producer
  • “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated)

  • “French Roast” Fabrice O. Joubert
  • “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
  • “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
  • “Logorama” Nicolas Schmerkin -My pick
  • “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

  • “The Door” Juanita Wilson and James Flynn
  • “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
  • “Kavi” Gregg Helvey
  • “Miracle Fish” Luke Doolan and Drew Bailey
  • “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

  • “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
  • “The Hurt Locker” Paul N.J. Ottosson
  • “Inglourious Basterds” Wylie Stateman
  • “Star Trek” Mark Stoeckinger and Alan Rankin -My pick
  • “Up” Michael Silvers and Tom Myers

Sound Mixing

  • “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
  • “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
  • “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
  • “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin -My pick
  • “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

  • “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones -My pick
  • “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
  • “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

  • “District 9” Written by Neill Blomkamp and Terri Tatchell
  • “An Education” Screenplay by Nick Hornby -My pick
  • “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher -My hope
  • “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

  • “The Hurt Locker” Written by Mark Boal
  • “Inglourious Basterds” Written by Quentin Tarantino -My pick
  • “The Messenger” Written by Alessandro Camon & Oren Moverman
  • “A Serious Man” Written by Joel Coen & Ethan Coen
  • “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Thursday, February 25, 2010

Oscar Challenge: An Update

I foolishly thought I had the upper hand on the Oscars. Of the 58 nominated films, I've watched 30, with 28 to go! Yes, I know it seems that I have no life, but it's been a very enjoyable way to procrastinate, and there are only 11 days to go until I'll have to find another distraction.

However, there's a snag in my plan. Of the 28 films I have left, I can only find 10 of them online! Early on I conceded to the fact that I will need to actually go out and rent a few films, as I learned that Up and The Most Dangerous Man in America are not available online anywhere. But I've now realized that many others are also not available, such as the documentary shorts, live action shorts, and some others. I am going to rent the films I can rent, but I expect there will be some I will not be able to find, and therefore my goal may not be reached because of a lack of resources instead of time, which I thought would be my downfall. Oh well. 28 films in 11 days may have ruined me, even though some are shorts, so I'm probably better off not having the resources to try. Though I do hope to be able to watch the documentary shorts, even if it has to wait until after the Oscars.


Thus far, I've only completed four categories, but here are my predictions:

Best Supporting Actress: Mo 'Nique in Precious. I'm also predicting Precious to win Best Picture, and the film's leading lady Gabourey Sidibe to win Best Actress, though I have not yet seen all of the films in these categories. Precious was fantastic and disturbing, with Mo 'Nique's performance adding a lot to both. I only knew of her from her roles in Beer Fest as the sassy femme fatale "Cherry," and in a guest spot on "Ugly Betty" as the Mode weekend receptionist "L'Amanda." To see her tackle such a serious, multifaceted role was refreshing and very well-executed, and, in my opinion, much more impressive than the performances of the other actresses in this category, though they were also commendable.

Best Animated Short: Logorama. The other animated shorts were splendid! Very cute (with a dash of morbidity in The Lady of the Reaper,) but Logorama was excellently unique. I may be biased because the subject of anti-consumerism is near and dear to my heart, but it truly stood out from the others for thinking outside the box, working with the tools within it. I'm not sure how well the Esso girl and Big Boy would be able to repopulate the planet post oil apocalypse, but since the Academy was able to keep its corporate influence at bay to grant the Best Documentary award to Michael Moore, perhaps this film has a chance at best animated short.
But don't believe me, see the shorts for yourself:
http://www.cartoonbrew.com/shorts/watch-four-of-the-five-oscar-nominated-shorts-online.html
The link to French Roast doesn't work, but here is another: http://www.youtube.com/watch?v=4mwLwkwR0yQ


Visual Effects: Avatar. The largest film budget in history was clearly spent almost entirely on visuals, since the writing was so lackluster, but it was visually stunning and deserves this award... and perhaps others such as cinematography... but if Avatar wins Best Picture I will probably never watch the Oscars again.


Art Direction: The Imaginarium of Doctor Parnassus. This was a crazy and confusing film that will perplex me forever, and I think the untimely death of Heath Ledger robbed the film of its potential, as its conclusion was too fast and too frantic. Luckily the filming of Heath's character Tony in the "real" world was finished before his death, so having Johnny Depp, Jude Law and Colin Farrell play the character in the imaginary world was not much of a stretch. I commend Terry Gilliam for finishing the film without its lead as a tribute to Heath, and because Heath's replacements gave their wages from the film to his daughter Matilda, I truly wish it were a better film. However, Gilliam created a fantastic dichotomy between the real and the imaginary worlds that offers redemption for his film's shortcomings. The film was beautiful, and deserves this award.

Stay tuned for more predictions and reviews. Thanks!